Two million-year-old whale fossils printed with 3D technology
Feb17

Two million-year-old whale fossils printed with 3D technology

These may look like real fossils, but they are actually perfect plastic replicas of 2 million-year-old whale skeletons made using a 3D printer. This printing technology, which can create 3D versions of objects as diverse as a guns or the brain of a man with no memory, was hyped last week by President Obama when he said that 3D printing “has the potential to revolutionize the way we make almost everything.” The technology certainly...

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Dear eBay, I Love You. Sincerely, Conservation Science
Sep11

Dear eBay, I Love You. Sincerely, Conservation Science

Dear eBay, I love you. Yours Sincerely, Conservation Science I’ve been conducting a rather unconventional poll. It consists of a single question posed to unsuspecting conservation scientists, typically during conference coffee breaks or at the hotel bar thereafter: “Um. So have you ever bought anything on eBay… I mean, for your scientific work?” What’s amazing is that researchers working with cultural heritage objects as diverse as...

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Come To Culture Lab: Science On Art And Artifacts, A Conference Session This Saturday In Dublin At ESOF
Jul11

Come To Culture Lab: Science On Art And Artifacts, A Conference Session This Saturday In Dublin At ESOF

I’m looking forward to moderating a session on art and artifact science at the Euroscience Open Forum  (ESOF) conference this Saturday morning from 10:45 am – 12:15 pm in the Liffey B room. If you’re in Dublin at ESOF, do stop by! Here’s what you’ll be in for… (the shortened version of my pitch to ESOF): When you mention art or cultural heritage science, most people think about authentication of a priceless...

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Using A Digital Light Projector To Restore Mark Rothko Paintings
Sep26

Using A Digital Light Projector To Restore Mark Rothko Paintings

One of the coolest talks I saw at the ICOM-CC conference in Lisbon last week came from Jens Stenger, a conservation scientist at the Harvard Art Museums in Boston. He had the tricky task of figuring out what to do about five paintings by Mark Rothko in the museum’s collection that were so damaged from sunlight exposure that crimson paint on the canvas had turned to blue. If just a tiny corner of the paintings were light damaged,...

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Conserving Contemporary Art… And Your Favorite Mix-Tape
Sep20

Conserving Contemporary Art… And Your Favorite Mix-Tape

I spent most of today learning about what museum scientists and conservators are doing to keep contemporary art in tip-top shape. (This whole week I’m at ICOM-CC, the huge art conservation science conference currently taking place in Lisbon.) These folks who are developing life-extension treatments for some pretty quirky art and artifacts. I’m talking about gigantic chandeliers made from hundreds of illuminated plastic bags suspended...

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Conserving Contemporary Art… And Your Favorite Mix-Tape
Sep20

Conserving Contemporary Art… And Your Favorite Mix-Tape

I spent most of today learning about what museum scientists and conservators are doing to keep contemporary art in tip-top shape. (This whole week I’m at ICOM-CC, the huge art conservation science conference currently taking place in Lisbon.) These folks who are developing life-extension treatments for some pretty quirky art and artifacts. I’m talking about gigantic chandeliers made from hundreds of illuminated plastic bags suspended...

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