How long should conservators protect David Beckham’s football?

It’s a hypothetical question, really, because Beckham has certainly owned a lot of footballs. But let’s just consider the ball that he famously kicked in 1996 from the halfway line, the one that landed spectacularly in Wimbledon’s net and helped make him famous in both the UK and abroad. So you could argue that this ball should end up in a British museum, given Beckham’s huge impact on sports culture in the UK at the turn of the 21st...

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Dear eBay, I Love You. Sincerely, Conservation Science

Dear eBay, I love you. Yours Sincerely, Conservation Science I’ve been conducting a rather unconventional poll. It consists of a single question posed to unsuspecting conservation scientists, typically during conference coffee breaks or at the hotel bar thereafter: “Um. So have you ever bought anything on eBay… I mean, for your scientific work?” What’s amazing is that researchers working with cultural heritage objects as diverse as...

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Come To Culture Lab: Science On Art And Artifacts, A Conference Session This Saturday In Dublin At ESOF

I’m looking forward to moderating a session on art and artifact science at the Euroscience Open Forum  (ESOF) conference this Saturday morning from 10:45 am – 12:15 pm in the Liffey B room. If you’re in Dublin at ESOF, do stop by! Here’s what you’ll be in for… (the shortened version of my pitch to ESOF): When you mention art or cultural heritage science, most people think about authentication of a priceless...

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Sweat-Stained Artifacts

We all sweat. Some of us do it rather profusely, particularly when life suddenly gets a tad more exciting or stressful than usual. Such as on your wedding day. Or during military combat. Or on your coronation day—if you happen to be royalty. Clothing worn during historically important events often finds its way to museums, and that’s when a textile conservator will take a good look—and possibly a deep sniff—in an outfit’s armpit...

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In Lisbon, Cultural Heritage Science’s Biggest Conference Gets Going

I’ve just arrived in Lisbon, Portugal, along with 900 other delegates interested in the conservation of art and artifacts, for the International Council of Museum’s Committee for Conservation (ICOM-CC) conference. The mega meeting happens every three years and this time it’s taking place at a conference center in the shadow of the Ponte 25 de Abril, a bridge so reminiscent of San Francisco’s Golden Gate Bridge...

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A Visit To The Opificio, Italy’s Primary Restoration Lab

Italy has no shortage of art, and when that art needs a face-lift, it takes a trip to the Opificio delle Pietre Dure e Laboratori di Restauro, the country’s national restoration laboratory. Located in an elegant old stable in Florence, the Opificio is like a spa for cultural heritage artifacts, where paintings, frescoes and sculptures go for age-extending treatments. When I visited, Cecilia Frosinini, an art historian and the...

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