Category → document
It’s a hypothetical question, really, because Beckham has certainly owned a lot of footballs.
But let’s just consider the ball that he famously kicked in 1996 from the halfway line, the one that landed spectacularly in Wimbledon’s net and helped make him famous in both the UK and abroad.
So you could argue that this ball should end up in a British museum, given Beckham’s huge impact on sports culture in the UK at the turn of the 21st century. Kept under the right temperature, humidity, and light conditions, a leather object like his football could potentially last thousands of years before degrading into a mess of gelatinized protein.
But really, should a museum pay the energy bills to keep his ball under optimal relative humidity, light levels and temperature so that it lasts for a millennium or two to come? Will people care about David Beckham’s ball in 50, 100, or even 500 years?
What about other cultural heritage objects, such as Albert Einstein’s papers? Or a Van Gogh painting? Or an Ansel Adams photograph? In other words, long should museum or archive collections be expected to last?
In principle “we’ve been working on the premise of forever. But that’s actually not realistic. Nothing lasts forever,” said Paula De Priest, deputy director of the Smithsonian’s Museum Conservation Institute. Continue reading →
Civilian society constantly makes use of aerospace and military inventions:
Can anyone say the Internet? Or transparent braces? (These nearly invisible dental devices are made from a material called polycrystalline alumina, which was initially developed by NASA “to protect the infrared antennae of heat-seeking missile trackers,” notes Discovery.com)
Cultural heritage also borrows from NASA: Portable X-ray fluorescence spectroscopy (XRF) was developed for MARS missions, so that roaming rovers could assess the chemical make-up of rocks on that planet.
Now XRF is a must-have tool for conservation scientists, who want to analyze the chemical composition of art that cannot be transported into a lab, such as a cave painting or Renaissance fresco.
But what about reversing the direction of technology export, so that cultural heritage scientists return the favor by developing new analytical tools for art research that then get delivered to the greater world of science?
This has not happened—until now*. Continue reading →
I love you.
I’ve been conducting a rather unconventional poll.
It consists of a single question posed to unsuspecting conservation scientists, typically during conference coffee breaks or at the hotel bar thereafter:
“Um. So have you ever bought anything on eBay… I mean, for your scientific work?”
What’s amazing is that researchers working with cultural heritage objects as diverse as Picasso paintings, plastic sculpture & toys, and digital art have all answered “yes.” Continue reading →
Nuclear Waste Signage Must Last 100,000 Years: Will the Messages Be On Sapphire Disks With Platinum Print Or Pieces Of Broken Pottery?
Humans have been around for 50,000 years and the nuclear waste we’re producing today is going to be harmful for 100,000 years. So how do we create signs that alert our descendents about enormous underground nuclear waste repositories when we don’t know what language they will speak?
“A vast underground space with all sorts of curious objects inside… This sounds exactly like where future archeologists are going to want to go digging,” said Cornelius Holtorf, an archeologist at the Linnaeus University in Sweden, who spoke at a Euroscience Open Forum (ESOF) session. The session focused on how one formulates a warning message with a 100,000-year lifetime when humans have never built anything that has lasted one-tenth of that time. If we say ‘don’t dig here,’ you can bet that it will only make the site more enticing, Holtorf said.
Linguists, archeologists, scientists, engineers and historians have been tackling the issue for decades. Some potential solutions sound a tad wacky: Namely the idea to create an atomic priesthood that carries on an oral tradition about the waste. Other solutions sound temptingly techie, but perhaps a tad expensive: Continue reading →
Come To Culture Lab: Science On Art And Artifacts, A Conference Session This Saturday In Dublin At ESOF
I’m looking forward to moderating a session on art and artifact science at the Euroscience Open Forum (ESOF) conference this Saturday morning from 10:45 am – 12:15 pm in the Liffey B room.
If you’re in Dublin at ESOF, do stop by! Here’s what you’ll be in for… (the shortened version of my pitch to ESOF):
When you mention art or cultural heritage science, most people think about authentication of a priceless masterpiece or identification of a pigment on a Rembrandt or a da Vinci.
They’re developing tools to study artworks and artifacts without actually touching them, so that you can tell if Picasso produced a particular masterpiece with hoity toity expensive artist paint or industrial wall paint.
They’re getting into the minds of ancient cultures by recreating their recipes for everything from hair dye to incense.
And they’re dealing with what some call the digital art crisis: how do you preserve or conserve art that employs obsolete hardware or software, or art that is stored online in fleeting formats or impermanent platforms.
Here’s who’s speaking at the Culture Lab session: Continue reading →
Dead Sea Scrolls – Scientists In Berlin Criticize Israeli Cultural Authorities For Treatment Of Sacred Documents
Last week, a peer-reviewed journal called the Restaurator published a controversial article about the Dead Sea Scrolls written by two Berlin-based scientists who charge that these sacred documents are not receiving proper care from the Israeli cultural institutions responsible for their well-being.
The article’s abstract does not mince words:
“Examination of the properties of the scrolls proves that frequent travel, exhibitions and the associated handling induce collagen deterioration that is covered up by the absence of a proper monitoring program.”
“I want the scrolls to be protected,” says Ira Rabin, who co-authored the piece entitled “Dead Sea Scrolls Exhibitions Around The World: Reasons For Concern” with her colleague Oliver Hahn at the German Federal Institute for Materials Research and Testing.
The 20-page document specifically criticizes the Israel Antiquities Authority and the Israel Museum in Jerusalem, who hold responsibility for a majority of the Dead Sea Scrolls. Both defend their treatment of the scrolls (detailed below). Continue reading →