Dear eBay, I Love You. Sincerely, Conservation Science
I love you.
I’ve been conducting a rather unconventional poll.
It consists of a single question posed to unsuspecting conservation scientists, typically during conference coffee breaks or at the hotel bar thereafter:
“Um. So have you ever bought anything on eBay… I mean, for your scientific work?”
What’s amazing is that researchers working with cultural heritage objects as diverse as Picasso paintings, plastic sculpture & toys, and digital art have all answered “yes.”
Plastics: So that awesome photo of the Barbies in the sample holder? Several of the PVC dolls were purchased by Matija Strlic on eBay for the Heritage Smells! project. He’s part of a team of researchers trying to find a way to diagnose the health of plastic and paper artifacts in museums and archives by sniffing the gases that percolate off the objects.
When a plastic (or paper) artifact begins to degrade it produces breakdown gases. But before Strlic can build a hand-held electronic nose that museum staff can then use to assess the health of their collections, his team needs to develop the analytical tool on old, non-valuable plastic objects. And that’s how he started buying Barbies on eBay.
Picasso and friends: Between 1900-1950 many contemporary artists (Picasso, Miró, Kandinsky) began experimenting with using the newly invented industrial wall paint called Ripolin for their artwork instead of hoity-toity artist paint.
First: It dried faster than the professional artist paint—a useful feature for procrastinating painters working on deadline.
Second: Using industrial paint was a snub to the stodgy art world who wouldn’t dream of using anything but traditional oil paints.
Third: Some artists liked the glossy finish of industrial paint. In trying to find a way to identify a painting produced with industrial paint, Casadio needed examples of Ripolin paint from the early 20th century to practice on. And so she turned to eBay…
Digital art: Since the advent of computers and other forms of electrical recording technology (such as audio cassettes or video), artists have been using this media to produce artworks.
But how do you watch art stored on an old floppy disk, or on a Commodore 64’s hard-drive, or on a now obsolete form of Bulgarian video?
You need the hard-ware and you need cables to connect that hard-ware to a compatible screen.
Leo Konstantelos told me it’s the esoteric cables that are sometimes the hardest to find.
But he’s been successful on—you guessed it—eBay.