Every exposition at a national ACS meeting is a wonder of magnitude, logistics, specialty knowledge, personalities, marketing and promotion innovations (and desperations), and business diversity. The microculture of the journals and book industry, for example, is so different from that of the lab automation industry. For me, though, the biggest draw at each Expo is the opportunity to browse the material culture of the laboratory. It’s a menagerie of forms and textures and designs that I revel in the way I might be amazed and amused by the biological forms, textures and designs on display at a zoo. And I particularly like to snap a macro lens onto my camera. This accoutrement provides me with a sort of low-power-microscope perspective on the gala. With that point of view, it’s the details, the components, of the mass spectrometers, x-ray diffractometers, calorimetry systems, automated sample handlers, and other laboratory instruments and furnishings that come to the fore. This act of abstraction also reveals how the result of design and material choice so often brings with it, not so much on purpose as by consequence, arresting aesthetic appeal.